The god Ifa writes the texts, and the god Esu translates them, and it is exactly this translator-god who has metamorphosed into the Trickster figure of contemporary African-American culture. That the Trickster inhabits the Net is undeniable—he is, in fact, the essence of the Net. Gates’ Trickster/Signifying Monkey (and it’s no accident that African-Americans were using “signify” as a verb long before the postmodernists picked it up) embodies various black rhetorical tropes, including “marking, loud-talking, testifying, calling out (of one’s name), sounding, rapping, playing the dozens, and so on.”

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